“I found the Palace of Green Porcelain, when we approached it about noon, deserted and falling into ruin. Only ragged vestiges of glass remained in its windows, and great sheets of the green facing had fallen away from the corroded metallic framework. It lay very high upon a turfy down, and looking north-eastward before I entered it, I was surprised to see a large estuary, or even creek, where I judged Wandsworth and Battersea must once have been. I thought then—though I never followed up the thought—of what might have happened, or might be happening, to the living things in the sea.

“The material of the Palace proved on examination to be indeed porcelain, and along the face of it I saw an inscription in some unknown character. I thought, rather foolishly, that Weena might help me to interpret this, but I only learnt that the bare idea of writing had never entered her head. She always seemed to me, I fancy, more human than she was, perhaps because her affection was so human.

“Within the big valves of the door—which were open and broken—we found, instead of the customary hall, a long gallery lit by many side windows. At the first glance I was reminded of a museum. The tiled floor was thick with dust, and a remarkable array of miscellaneous objects was shrouded in the same grey covering. Then I perceived, standing strange and gaunt in the centre of the hall, what was clearly the lower part of a huge skeleton. I recognised by the oblique feet that it was some extinct creature after the fashion of the Megatherium. The skull and the upper bones lay beside it in the thick dust, and in one place, where rain-water had dropped through a leak in the roof, the thing itself had been worn away. Further in the gallery was the huge skeleton barrel of a Brontosaurus. My museum hypothesis was confirmed. Going towards the side I found what appeared to be sloping shelves, and clearing away the thick dust, I found the old familiar glass cases of our own time. But they must have been air-tight to judge from the fair preservation of some of their contents.

“Clearly we stood among the ruins of some latter-day South Kensington! Here, apparently, was the Palæontological Section, and a very splendid array of fossils it must have been, though the inevitable process of decay that had been staved off for a time, and had, through the extinction of bacteria and fungi, lost ninety-nine hundredths of its force, was nevertheless, with extreme sureness if with extreme slowness at work again upon all its treasures. Here and there I found traces of the little people in the shape of rare fossils broken to pieces or threaded in strings upon reeds. And the cases had in some instances been bodily removed—by the Morlocks, as I judged. The place was very silent. The thick dust deadened our footsteps. Weena, who had been rolling a sea urchin down the sloping glass of a case, presently came, as I stared about me, and very quietly took my hand and stood beside me.

“And at first I was so much surprised by this ancient monument of an intellectual age that I gave no thought to the possibilities it presented. Even my preoccupation about the Time Machine receded a little from my mind.

“To judge from the size of the place, this Palace of Green Porcelain had a great deal more in it than a Gallery of Palæontology; possibly historical galleries; it might be, even a library! To me, at least in my present circumstances, these would be vastly more interesting than this spectacle of old-time geology in decay. Exploring, I found another short gallery running transversely to the first. This appeared to be devoted to minerals, and the sight of a block of sulphur set my mind running on gunpowder. But I could find no saltpetre; indeed, no nitrates of any kind. Doubtless they had deliquesced ages ago. Yet the sulphur hung in my mind, and set up a train of thinking. As for the rest of the contents of that gallery, though on the whole they were the best preserved of all I saw, I had little interest. I am no specialist in mineralogy, and I went on down a very ruinous aisle running parallel to the first hall I had entered. Apparently this section had been devoted to natural history, but everything had long since passed out of recognition. A few shrivelled and blackened vestiges of what had once been stuffed animals, desiccated mummies in jars that had once held spirit, a brown dust of departed plants: that was all! I was sorry for that, because I should have been glad to trace the patient readjustments by which the conquest of animated nature had been attained. Then we came to a gallery of simply colossal proportions, but singularly ill-lit, the floor of it running downward at a slight angle from the end at which I entered. At intervals white globes hung from the ceiling—many of them cracked and smashed—which suggested that originally the place had been artificially lit. Here I was more in my element, for rising on either side of me were the huge bulks of big machines, all greatly corroded and many broken down, but some still fairly complete. You know I have a certain weakness for mechanism, and I was inclined to linger among these; the more so as for the most part they had the interest of puzzles, and I could make only the vaguest guesses at what they were for. I fancied that if I could solve their puzzles I should find myself in possession of powers that might be of use against the Morlocks.

“Suddenly Weena came very close to my side. So suddenly that she startled me. Had it not been for her I do not think I should have noticed that the floor of the gallery sloped at all. [Footnote: It may be, of course, that the floor did not slope, but that the museum was built into the side of a hill.—ED.] The end I had come in at was quite above ground, and was lit by rare slit-like windows. As you went down the length, the ground came up against these windows, until at last there was a pit like the ‘area‘ of a London house before each, and only a narrow line of daylight at the top. I went slowly along, puzzling about the machines, and had been too intent upon them to notice the gradual diminution of the light, until Weena’s increasing apprehensions drew my attention. Then I saw that the gallery ran down at last into a thick darkness. I hesitated, and then, as I looked round me, I saw that the dust was less abundant and its surface less even. Further away towards the dimness, it appeared to be broken by a number of small narrow footprints. My sense of the immediate presence of the Morlocks revived at that. I felt that I was wasting my time in the academic examination of machinery. I called to mind that it was already far advanced in the afternoon, and that I had still no weapon, no refuge, and no means of making a fire. And then down in the remote blackness of the gallery I heard a peculiar pattering, and the same odd noises I had heard down the well.

“I took Weena’s hand. Then, struck with a sudden idea, I left her and turned to a machine from which projected a lever not unlike those in a signal-box. Clambering upon the stand, and grasping this lever in my hands, I put all my weight upon it sideways. Suddenly Weena, deserted in the central aisle, began to whimper. I had judged the strength of the lever pretty correctly, for it snapped after a minute’s strain, and I rejoined her with a mace in my hand more than sufficient, I judged, for any Morlock skull I might encounter. And I longed very much to kill a Morlock or so. Very inhuman, you may think, to want to go killing one’s own descendants! But it was impossible, somehow, to feel any humanity in the things. Only my disinclination to leave Weena, and a persuasion that if I began to slake my thirst for murder my Time Machine might suffer, restrained me from going straight down the gallery and killing the brutes I heard.

“Well, mace in one hand and Weena in the other, I went out of that gallery and into another and still larger one, which at the first glance reminded me of a military chapel hung with tattered flags. The brown and charred rags that hung from the sides of it, I presently recognised as the decaying vestiges of books. They had long since dropped to pieces, and every semblance of print had left them. But here and there were warped boards and cracked metallic clasps that told the tale well enough. Had I been a literary man I might, perhaps, have moralised upon the futility of all ambition. But as it was, the thing that struck me with keenest force was the enormous waste of labour to which this sombre wilderness of rotting paper testified. At the time I will confess that I thought chiefly of the Philosophical Transactions and my own seventeen papers upon physical optics.

“Then, going up a broad staircase, we came to what may once have been a gallery of technical chemistry. And here I had not a little hope of useful discoveries. Except at one end where the roof had collapsed, this gallery was well preserved. I went eagerly to every unbroken case. And at last, in one of the really air-tight cases, I found a box of matches. Very eagerly I tried them. They were perfectly good. They were not even damp. I turned to Weena. ‘Dance,’ I cried to her in her own tongue. For now I had a weapon indeed against the horrible creatures we feared. And so, in that derelict museum, upon the thick soft carpeting of dust, to Weena’s huge delight, I solemnly performed a kind of composite dance, whistling The Land of the Leal as cheerfully as I could. In part it was a modest cancan, in part a step dance, in part a skirt dance (so far as my tail-coat permitted), and in part original. For I am naturally inventive, as you know.

“Now, I still think that for this box of matches to have escaped the wear of time for immemorial years was a most strange, as for me it was a most fortunate, thing. Yet, oddly enough, I found a far unlikelier substance, and that was camphor. I found it in a sealed jar, that by chance, I suppose, had been really hermetically sealed. I fancied at first that it was paraffin wax, and smashed the glass accordingly. But the odour of camphor was unmistakable. In the universal decay this volatile substance had chanced to survive, perhaps through many thousands of centuries. It reminded me of a sepia painting I had once seen done from the ink of a fossil Belemnite that must have perished and become fossilised millions of years ago. I was about to throw it away, but I remembered that it was inflammable and burnt with a good bright flame—was, in fact, an excellent candle—and I put it in my pocket. I found no explosives, however, nor any means of breaking down the bronze doors. As yet my iron crowbar was the most helpful thing I had chanced upon. Nevertheless I left that gallery greatly elated.

“I cannot tell you all the story of that long afternoon. It would require a great effort of memory to recall my explorations in at all the proper order. I remember a long gallery of rusting stands of arms, and how I hesitated between my crowbar and a hatchet or a sword. I could not carry both, however, and my bar of iron promised best against the bronze gates. There were numbers of guns, pistols, and rifles. The most were masses of rust, but many were of some new metal, and still fairly sound. But any cartridges or powder there may once have been had rotted into dust. One corner I saw was charred and shattered; perhaps, I thought, by an explosion among the specimens. In another place was a vast array of idols—Polynesian, Mexican, Grecian, Phœnician, every country on earth, I should think. And here, yielding to an irresistible impulse, I wrote my name upon the nose of a steatite monster from South America that particularly took my fancy.

“As the evening drew on, my interest waned. I went through gallery after gallery, dusty, silent, often ruinous, the exhibits sometimes mere heaps of rust and lignite, sometimes fresher. In one place I suddenly found myself near the model of a tin mine, and then by the merest accident I discovered, in an air-tight case, two dynamite cartridges! I shouted ‘Eureka!’ and smashed the case with joy. Then came a doubt. I hesitated. Then, selecting a little side gallery, I made my essay. I never felt such a disappointment as I did in waiting five, ten, fifteen minutes for an explosion that never came. Of course the things were dummies, as I might have guessed from their presence. I really believe that had they not been so, I should have rushed off incontinently and blown Sphinx, bronze doors, and (as it proved) my chances of finding the Time Machine, all together into non-existence.

“It was after that, I think, that we came to a little open court within the palace. It was turfed, and had three fruit-trees. So we rested and refreshed ourselves. Towards sunset I began to consider our position. Night was creeping upon us, and my inaccessible hiding-place had still to be found. But that troubled me very little now. I had in my possession a thing that was, perhaps, the best of all defences against the Morlocks—I had matches! I had the camphor in my pocket, too, if a blaze were needed. It seemed to me that the best thing we could do would be to pass the night in the open, protected by a fire. In the morning there was the getting of the Time Machine. Towards that, as yet, I had only my iron mace. But now, with my growing knowledge, I felt very differently towards those bronze doors. Up to this, I had refrained from forcing them, largely because of the mystery on the other side. They had never impressed me as being very strong, and I hoped to find my bar of iron not altogether inadequate for the work.

“We emerged from the Palace while the sun was still in part above the horizon. I was determined to reach the White Sphinx early the next morning, and ere the dusk I purposed pushing through the woods that had stopped me on the previous journey. My plan was to go as far as possible that night, and then, building a fire, to sleep in the protection of its glare. Accordingly, as we went along I gathered any sticks or dried grass I saw, and presently had my arms full of such litter. Thus loaded, our progress was slower than I had anticipated, and besides Weena was tired. And I, also, began to suffer from sleepiness too; so that it was full night before we reached the wood. Upon the shrubby hill of its edge Weena would have stopped, fearing the darkness before us; but a singular sense of impending calamity, that should indeed have served me as a warning, drove me onward. I had been without sleep for a night and two days, and I was feverish and irritable. I felt sleep coming upon me, and the Morlocks with it.

“While we hesitated, among the black bushes behind us, and dim against their blackness, I saw three crouching figures. There was scrub and long grass all about us, and I did not feel safe from their insidious approach. The forest, I calculated, was rather less than a mile across. If we could get through it to the bare hillside, there, as it seemed to me, was an altogether safer resting-place; I thought that with my matches and my camphor I could contrive to keep my path illuminated through the woods. Yet it was evident that if I was to flourish matches with my hands I should have to abandon my firewood; so, rather reluctantly, I put it down. And then it came into my head that I would amaze our friends behind by lighting it. I was to discover the atrocious folly of this proceeding, but it came to my mind as an ingenious move for covering our retreat.

“I don’t know if you have ever thought what a rare thing flame must be in the absence of man and in a temperate climate. The sun’s heat is rarely strong enough to burn, even when it is focused by dewdrops, as is sometimes the case in more tropical districts. Lightning may blast and blacken, but it rarely gives rise to widespread fire. Decaying vegetation may occasionally smoulder with the heat of its fermentation, but this rarely results in flame. In this decadence, too, the art of fire-making had been forgotten on the earth. The red tongues that went licking up my heap of wood were an altogether new and strange thing to Weena.

“She wanted to run to it and play with it. I believe she would have cast herself into it had I not restrained her. But I caught her up, and in spite of her struggles, plunged boldly before me into the wood. For a little way the glare of my fire lit the path. Looking back presently, I could see, through the crowded stems, that from my heap of sticks the blaze had spread to some bushes adjacent, and a curved line of fire was creeping up the grass of the hill. I laughed at that, and turned again to the dark trees before me. It was very black, and Weena clung to me convulsively, but there was still, as my eyes grew accustomed to the darkness, sufficient light for me to avoid the stems. Overhead it was simply black, except where a gap of remote blue sky shone down upon us here and there. I lit none of my matches because I had no hand free. Upon my left arm I carried my little one, in my right hand I had my iron bar.

“For some way I heard nothing but the crackling twigs under my feet, the faint rustle of the breeze above, and my own breathing and the throb of the blood-vessels in my ears. Then I seemed to know of a pattering behind me. I pushed on grimly. The pattering grew more distinct, and then I caught the same queer sound and voices I had heard in the Underworld. There were evidently several of the Morlocks, and they were closing in upon me. Indeed, in another minute I felt a tug at my coat, then something at my arm. And Weena shivered violently, and became quite still.

“It was time for a match. But to get one I must put her down. I did so, and, as I fumbled with my pocket, a struggle began in the darkness about my knees, perfectly silent on her part and with the same peculiar cooing sounds from the Morlocks. Soft little hands, too, were creeping over my coat and back, touching even my neck. Then the match scratched and fizzed. I held it flaring, and saw the white backs of the Morlocks in flight amid the trees. I hastily took a lump of camphor from my pocket, and prepared to light it as soon as the match should wane. Then I looked at Weena. She was lying clutching my feet and quite motionless, with her face to the ground. With a sudden fright I stooped to her. She seemed scarcely to breathe. I lit the block of camphor and flung it to the ground, and as it split and flared up and drove back the Morlocks and the shadows, I knelt down and lifted her. The wood behind seemed full of the stir and murmur of a great company!

“She seemed to have fainted. I put her carefully upon my shoulder and rose to push on, and then there came a horrible realisation. In manœuvring with my matches and Weena, I had turned myself about several times, and now I had not the faintest idea in what direction lay my path. For all I knew, I might be facing back towards the Palace of Green Porcelain. I found myself in a cold sweat. I had to think rapidly what to do. I determined to build a fire and encamp where we were. I put Weena, still motionless, down upon a turfy bole, and very hastily, as my first lump of camphor waned, I began collecting sticks and leaves. Here and there out of the darkness round me the Morlocks’ eyes shone like carbuncles.